The Cambridge Companion to Mozart (Cambridge Companions to Music)

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Cambridge Companions to Music

Performance practice in the eighteenthcentury concerto. Performance practice in the nineteenthcentury concerto.

The concerto in the age of recording. Selected further reading. Bach cadenza Cambridge Companion Cello Concerto chord Clarinet Concerto Classical composers composition concertino continuo contrast critics dialogue early Edited eighteenth century Elliott Carter embellishment ensemble example flat major French G minor German Handel harmonic harpsichord Haydn horn Ibid intimate grandeur Italian J.

  • The Cambridge Companion to Mozart (Cambridge Companions to Music);
  • The Cambridge Companion To Mozart (Cambridge Companions To Music).
  • Cambridge University Press;
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  • The Cambridge Companion to Mozart;
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  • The Cambridge Companion to Mozart by Simon P. Keefe.

Bach Johann keyboard concertos Keyboard Instruments Liszt London Louis Spohr melody Mendelssohn ment Mozart's Mozart's concertos Mozart's Piano Concertos musicians nineteenth century notes oboe ornaments Paganini passages Performance Practices pianist piano and orchestra Piano Concerto players Prokofiev Quantz recapitulation recording repertory ritornello Schumann slow movement solo exposition solo-orchestra soloist sonata Spohr Stravinsky strings style stylistic Symphony Tchaikovsky tempo texture thematic theme Tia DeNora tion Torelli traditional trans trumpet Vienna viola Violin Concerto violinist Viotti virtuoso Vivaldi wind Zaslaw.

Mozart in Vienna Dorothea Link; 3. Mozart's compositional methods: writing for his singers Ian Woodfield; 4. The Works: 5.

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The keyboard music W. Dean Sutcliffe; 6. The concertos in aesthetic and stylistic context Simon P.

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Keefe; 7. The orchestral music Simon P. Keefe; 8. Mozart's chamber music Cliff Eisen; 9.

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Mozart as a vocal composer Paul Corneilson; The opere buffe Edmund J. Goehring; Mozart and opera seria Julian Rushton; Mozart's German operas David J. Buch; Part III.

Reception: Mozart in the nineteenth century John Daverio; Mozart and the twentieth century Jan Smaczny; Performance: Performance practice in the music of Mozart Robert D. Gramophone, 'For anyone interested in the composer's sublime music this collection must become essential reading. This is a introductory chronicle of this fascinating genre.

The Cambridge Companion to Schubert - Google книги

In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late s to the present and also contains a comprehensive bibliography.

  • The Cambridge Companion To Mozart (Cambridge Companions To Music).
  • Robinson Crusoe Written Anew for Children.
  • ISBN 13: 9780521001922.

The birth and early history of a genre in the Age of Enlightenment. The eighteenthcentury Lied.

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  7. The nineteenth century issues of style and development. The Lieder of Schubert. The early nineteenthcentury song cycle. Schumann reconfiguring the Lied.